One of the most critically acclaimed American films of 2020, “Minari,” has been classified a foreign-language film ahead of the Golden Globes.
If that sentence didn’t make any sense to you, you’re not alone.
On Tuesday, Variety reported that “Minari” would not compete in the best picture categories at the Golden Globes because of its new foreign-language film status, sparking an outrage among champions of the award-winning family drama set in the United States.
Entertainment luminaries across the industry are challenging the Hollywood Foreign Press Association’s controversial decision regarding director Lee Isaac Chung’s festival darling about a Korean American family starting a farm in 1980s Arkansas.
In a scathing tweet, actor and producer Daniel Dae Kim called the HFPA’s move “the film equivalent of being told to go back to your country when that country is actually America.” A similar debate ignited last year around director Lulu Wang’s 2019 film “The Farewell,” which features mostly Mandarin dialogue; “Minari” is primarily scripted in Korean.
According to the Golden Globes website, the HFPA identifies foreign-language entries as “feature length films (70 minutes or longer) with at least 51% non-English dialogue track first released in their country of origin during the 14-months period … prior to the Awards.” (The “country of origin” for both “Minari” and “The Farewell” is the United States.)
The requirements also stipulate that such films can be considered “in all other categories except best motion picture drama and best motion picture musical or comedy which are for English-language films exclusively.”
“I have not seen a more American film than #Minari this year,” Wang tweeted Tuesday. “It’s a story about an immigrant family, IN America, pursuing the American dream. We really need to change these antiquated rules that characterizes American as only English-speaking.”
I have not seen a more American film than #Minari this year. It’s a story about an immigrant family, IN America, pursuing the American dream. We really need to change these antiquated rules that characterizes American as only English-speaking. https://t.co/1NZbkJFE9v
— Lulu Wang (@thumbelulu) December 23, 2020
Wang was among several who emphasized the many American components of “Minari,” both onscreen and behind the scenes. The emotional feature, starring “The Walking Dead” actor Steven Yeun and Yeri Han, debuted in January at the Sundance Film Festival, where it collected both the audience award and the grand jury prize in the U.S. dramatic competition.
“Just for the record, Minari is an American movie written and directed by an American filmmaker set in America with an American lead actor and produced by an American production company,” tweeted actor Simu Liu, who is set to star in Marvel’s “Shang-Chi and the Legend of the Ten Rings.”
“Minari was written and directed by an American and produced by American production companies,” wrote director and cinematographer Jenn Ravenna Tran. “It is an American immigration story. The lead is American. English is spoken in the film. And not every American household speaks only English.”
…and without spoiling anything it is a BEAUTIFUL story of an immigrant family trying to build a life from the ground up.
What could be more American than that?
— Simu Liu (@SimuLiu) December 23, 2020
California Congressman Ted Lieu, a Democrat, also weighed in on the controversy, writing, “Dear @goldenglobes: Please change your name to ‘Golden Globes Only for English Speaking People,’ because that would be more accurate.”
“#Minari is an American movie about a Korean American family in Arkansas,” he added. “Why does a best picture have to be in English? Globe is in your name. Get it?”
See more reactions to the HFPA’s categorization below.
Dear @goldenglobes: Please change your name to “Golden Only For English Speaking People,” because that would be more accurate. #Minari is an American movie about a Korean American family in Arkansas. Why does a best picture have to be in English? Globe is in your name. Get it? https://t.co/pMlGr07HxF
— Ted Lieu (@tedlieu) December 23, 2020
The Farewell, written and directed by Lulu Wang, should have also been qualified to compete for best picture. Another Asian American story made by Americans and produced by American production companies that was also considered only in foreign language film category. pic.twitter.com/qpYjrXi9WD
— Jenn Ravenna Tran (@JennRavenna) December 23, 2020
#Minari is an American film about new Americans. Everyone in America except for indigenous people came from somewhere else by choice or force. The English language is not an indigenous language. Enough of this nonsense about Asian-Americans being permanently foreign. I’m done. https://t.co/GEuXGDx85I
— Min Jin Lee (@minjinlee11) December 23, 2020
A sad and disappointing reminder that a movie about the American dream, set in America, starring an American, directed by an American, and produced by an American company, is somehow foreign. #Minari https://t.co/u8VVfp0Sf4
— Andrew Phung (@andrewphung) December 23, 2020
minari, A STORY ABOUT BEING AMERICAN, MADE IN AMERICA, STARRING AMERICANS, DIRECTED BY AN AMERICAN, FINANCED BY AMERICANS: best picture nomination?
hollywood foreign press association: pic.twitter.com/Jzas9SMwKI
— William Yu (@its_willyu) December 23, 2020
Not surprising. As a 4th generation American of Asian descent I still have to explain to people that my books are not the same as Japanese manga. (Amulet is not even published in Japan) As long as you look a certain way, you will always be considered a visitor in your own home. https://t.co/dkdP8LOiYf
— Kazu Kibuishi (@boltcity) December 23, 2020
Source by www.latimes.com
